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It is an audacious spit in the eye of society. Whether this is a bad, good or great film is entirely beside the point. Manohla Dargis, the merry film critic of The New York Times, could be heard singing "That's Entertainment!" When it was all over, we staggered up the aisles. Sometimes a voice would cry out, "No!" At certain moments there was nervous laughter. Never before have a man and woman inflicted more pain upon each other in a movie. Von Trier's film goes beyond malevolence into the monstrous. It is the first screening of Lars von Trier's "Antichrist," and we are ready for anything. Every seat is filled, even the little fold-down seats at the end of every row. other than my absolute belief in the film - the most important film of my entire career!" In production notes for Antichrist, the 53-year-old director said that the movie was a "kind of therapy" for depression he was suffering from two years ago. critic said he and others found the film "offensive," and questioned why it was included in the main competition of 20 films in Cannes. The reaction suggested that von Trier, who won the top prize in Cannes with "Dancer in the Dark" in 2000, could be in for a rough ride from reviewers and journalists on Monday. The abuse she submits herself and her husband to drew shocked gasps from the audience. They decide to go to an isolated wooden cabin in an unspecified forest to recover, but the woman Gainsbourg portrays loses control of her senses. Applause from a handful of viewers was drowned out by booing at the end.Īntichrist opens with a heavily stylized, black-and-white, slow-motion portrayal of the child's accidental death set to soaring music by Handel.ĭafoe's character, who is a therapist, tries to help his wife deal with her grief and encourages her to come off heavy medication that sedates her for weeks after the death. Many viewers in the large Debussy cinema also appeared to take objection to von Trier's decision to dedicate his film to the revered Soviet director Andrei Tarkovsky. Jeers and laughter broke out during scenes ranging from a talking fox to graphically-portrayed sexual mutilation. The film, starring Willem Dafoe and Charlotte Gainsbourg as a couple seeking to overcome the grief of losing their only child, has quickly become the most talked-about at this year's festival, which ends on May 24.Ĭannes' notoriously picky critics and press often react audibly to films during screenings, but Sunday evening's viewing was unusually demonstrative.
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Lars von Trier film "Antichrist" shocks CannesĬANNES, France (Reuters) - Danish director Lars von Trier elicited derisive laughter, gasps of disbelief, a smattering of applause and loud boos on Sunday as the credits rolled on his drama "Antichrist" at the Cannes film festival. It would be a disservice to describe the violence, which would qualify for the one of the hardest NC-17 ratings ever.
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It makes scenes from “Hostel,” one of the so-called gore porn movies, seem tame. It is an audacious spit in the eye of society.ĮW says: So it's one good-looking, publicity-grabbing provocation.Ĭharles Ealy, : Since you’re emotionally invested in the characters, the violence that comes later is all the more shocking. Roger Ebert: Whether this is a bad, good or great film is entirely beside the point. IFC's David Hudson: The first five minutes of Lars von Trier's 'Antichrist' contain both a scene of eye-opening sexual explicitness and an act of tragic misadventure so extreme that it begs a new word to describe over-the-top: Baroquecoco. Quite possibly clawing its way out of the grave to stalk the earth, find an axe and slay Von Trier in his bed. On top of which it's dedicated to the late Russianĭirector Andrei Tarkovsky, whose rotted and decomposed body is now It's an out-and-out disaster - one of the most absurdly heavy-handed and over-the-topĬalamities I've ever seen in my life. Major career embarassment for costars Willem Dafoe and Charlotte Gainsbourgh, and a possible career stopper for Von Trier. Jeff Welles, Hollywood Elsewhere: There's no way Antichrist isn't a